MARINA ZURKOW
Items tagged
Print Graphics
2022
Archival print on Hahnemuehle Photo Rag Metallic
38 x 26 in / 96.5 x 66 cm
Edition of 3
This work is part of the project:
Crucible for smoldering and igniting pulls imagery from Russia’s “zombie fires”, a nickname for the recent phenomenon where fires have stayed smoldering underground from winters past. A wasp nest and ceramic figurine from Sicily accompany the satellite imagery.
2022
Archival print on Hahnemuehle Photo Rag Metallic
38 x 26 in / 96.5 x 66 cm
Edition of 3
This work is part of the project:
The Crucible series urges a conversation between individual and global moments, touching on intimate aspects of this relationship. The porous connection between a lived experience to the far-reaching environment is portrayed through domestic, material manifestations. The artist’s own souvenirs, inherited objects, and hand-built ceramics interface with instances of environmental disaster and geo-planetary disruption. Crucible for…
2022
Digital collage on archival Hahnemühle Bamboo
10 x 50 in / 25.4 x 127 cm
What really goes on in murky streams? An image request of “Japanese scroll painting 1930’s agitprop of a frog eating a man’s foot” would only yield a side-by-side depiction of frog and foot, but not devouring. Zurkow thinks that request must violate the terms of DALL·E 2.
2022
Digital collage on archival Hahnemühle Bamboo
10 x 50 in / 25.4 x 127 cm
In a tribute to Caryl Churchill’s 2000 play “Far Away,” this AI collaboration imagines a world where animals, humans, and machines rise up to battle for an equitable planetary present.
2022
Digital collage on archival Hahnemühle Bamboo
10 x 50 in / 25.4 x 127 cm
This 48” image, influenced by Japanese ink brush scroll paintings, was made using DALL·E 2 to generate a database of unique source material—much like a stack of Life Magazines painstakingly cut and assembled into complex collages. Text requests include calls for 1930’s Japanese scroll paintings and agitprop of “a frog tasting a man’s foot with…
2022
A Questionable Tale (#1)
Digital image
3840 x 2160 px
The process of creating this digital collage with DALL·E , an AI system that generates imagery from language, entails my operating as an Art Director with an aleatory AI system. I direct and push the flow of chance to create surprising outcomes I never could make by hand. Then I act as my own cleanup…
2022
Digital collage on archival Hahnemühle Bamboo
18 x 60 in / 45.7 x 152.4 cm
NFT registration included
Closer is inspired by the play “Far Away” (2000) by Caryl Churchill in which animalarmies have teamed up with human factions. The process of creating this digital collage with DALL·E , an AI system that generates imagery from language, entails my operating as an Art Director with an aleatory AI system. I direct and push…
2022
80″ x 80″ wallpaper mural, edition of 6
World Wind is a mural made in collaboration with Midjourney, an artificial intelligence software that creates images from textual descriptions. Through a prompt by the artist to the software—”World War II agitprop map of pollution and climate change”—World Wind incorporates AI’s perception of climate change with the artist’s guidance, editing, and direction.
2014 – ongoing
posters, sound, installations
Core Collaborators: Una Chaudhuri, Fritz Ertl, Oliver Kellhammer, Marina Zurkow
Web Development: Pat Shiu
Sound Design: Pejk Malinovski
Typography: Nancy Nowacek
Voice Overs: Eliza Foss, Seth Kanor, Jane Cramer
Supported by NYU Visual Arts Initiative Awards
http://www.dearclimate.net
This work is part of the project:
Dear Climate is exploring new modes of address through the creation of a collection of ”inner climate” tools. These tools—posters, audio meditations and letters—are designed to nudge participants toward new relations with the greater-than-human world. The free, downloadable posters use the language of agitprop and a “fast read” to create a jolt of relational suggestion. Alternately,…
2017
2 Nylon banners, 42” x 84” each
Permanently installed at The Center for Coastal Studies, Provincetown, Mass.
Right whale identification relies on the distinct pattern, known as a callosity, that each whale displays like a blazon on the back of their head. These are rough skin patches — callouses. Whalers called them “bonnets.” Each whale is born with their callous-formation, which grows pitted and grooved like volcanic terrain over time. Callosities would…