MARINA ZURKOW
Items tagged
Collage
[DEBUG] archive custom field: artwork
2016
Silkscreen on found/used cardboard with rubber stamping
14″x14″
Edition of 3
Additionally unique, SP collages on silkscreen
Accretions is a series of silkscreens on repurposed packaging cardboard. These works describe agglomerations of consumer goods: the result of what is bought, shipped globally, and discarded over time.
2022
Archival print on Tesuki-Washi Echizen
38 x 26 in / 96.5 x 66 cm
Edition of 3
This work is part of the project:
Crucible for condensing and drifting depicts a Monstera leaf, Kaddish cup from Belarus, and original drawings atop NASA imagery of clouds over the Amazon.
2022
Archival print on Tesuki-Washi Echizen
38 x 26 in / 96.5 x 66 cm
Edition of 3
This work is part of the project:
Crucible for crumpling and folding uses NASA’s image Argentina’s Talampya Natural Park, a region known for fossils from the Triassic Period. A stone souvenir from Hampi, India, a dead tick, a Japanese Netsuke rabbit, and a gifted Chinese bowl interface as a mysterious amalgamation on top of the landscape.
2022
Archival print on Tesuki-Washi Echizen
38 x 26 in / 96.5 x 66 cm
Edition of 3
This work is part of the project:
The Crucible series urges a conversation between individual and global moments, touching on intimate aspects of this relationship. The porous connection between a lived experience to the far-reaching environment is portrayed through domestic, material manifestations. The artist’s own souvenirs, inherited objects, and hand-built ceramics interface with instances of environmental disaster and geo-planetary disruption. Crucible for…
2022
Archival print on Tesuki-Washi Echizen
38 x 26 in / 96.5 x 66 cm
Edition of 3
This work is part of the project:
Crucible for inundating and disintegrating pulls imagery from the 2020 Jiangxi, China floods, yellow microplastics, and a broken porcelain vessel from an original cast of light bulb packaging.
2022
Archival print on Tesuki-Washi Echizen
38 x 26 in / 96.5 x 66 cm
Edition of 3
This work is part of the project:
Crucible for rising, rolling, and looping shows a handmade ceramic pot made by the artist containing a Gasteria “Little Warty” plant juxtaposed in front of NASA imagery of cloud streets forming over the Arctic Barents Sea.
2022
Archival print on Tesuki-Washi Echizen
38 x 26 in / 96.5 x 66 cm
Edition of 3
This work is part of the project:
The Crucible series urges a conversation between individual and global moments, touching on intimate aspects of this relationship. The porous connection between a lived experience to the far-reaching environment is portrayed through domestic, material manifestations. The artist’s own souvenirs, inherited objects, and hand-built ceramics interface with instances of environmental disaster and geo-planetary disruption. Crucible for…
2022
Archival print on Hahnemuehle Photo Rag Metallic
38 x 26 in / 96.5 x 66 cm
Edition of 3
This work is part of the project:
Crucible for smoldering and igniting pulls imagery from Russia’s “zombie fires”, a nickname for the recent phenomenon where fires have stayed smoldering underground from winters past. A wasp nest and ceramic figurine from Sicily accompany the satellite imagery.
2022
Archival print on Hahnemuehle Photo Rag Metallic
38 x 26 in / 96.5 x 66 cm
Edition of 3
This work is part of the project:
The Crucible series urges a conversation between individual and global moments, touching on intimate aspects of this relationship. The porous connection between a lived experience to the far-reaching environment is portrayed through domestic, material manifestations. The artist’s own souvenirs, inherited objects, and hand-built ceramics interface with instances of environmental disaster and geo-planetary disruption. Crucible for…
2022
Digital collage on archival Hahnemühle Bamboo
10 x 50 in / 25.4 x 127 cm
What really goes on in murky streams? An image request of “Japanese scroll painting 1930’s agitprop of a frog eating a man’s foot” would only yield a side-by-side depiction of frog and foot, but not devouring. Zurkow thinks that request must violate the terms of DALL·E 2.
2022
Digital collage on archival Hahnemühle Bamboo
10 x 50 in / 25.4 x 127 cm
In a tribute to Caryl Churchill’s 2000 play “Far Away,” this AI collaboration imagines a world where animals, humans, and machines rise up to battle for an equitable planetary present.
2022
Digital collage on archival Hahnemühle Bamboo
10 x 50 in / 25.4 x 127 cm
This 48” image, influenced by Japanese ink brush scroll paintings, was made using DALL·E 2 to generate a database of unique source material—much like a stack of Life Magazines painstakingly cut and assembled into complex collages. Text requests include calls for 1930’s Japanese scroll paintings and agitprop of “a frog tasting a man’s foot with…
2022
A Questionable Tale (#1)
Digital image
3840 x 2160 px
The process of creating this digital collage with DALL·E , an AI system that generates imagery from language, entails my operating as an Art Director with an aleatory AI system. I direct and push the flow of chance to create surprising outcomes I never could make by hand. Then I act as my own cleanup…
2022
Digital collage on archival Hahnemühle Bamboo
18 x 60 in / 45.7 x 152.4 cm
NFT registration included
Closer is inspired by the play “Far Away” (2000) by Caryl Churchill in which animalarmies have teamed up with human factions. The process of creating this digital collage with DALL·E , an AI system that generates imagery from language, entails my operating as an Art Director with an aleatory AI system. I direct and push…
In 2017 I audited a class at ITP (the Interactive Telecommunications Program), Tisch School of the Arts, NYU called “100 Days of Making” led by Katherine Dillon. The class is structured just as the title proclaims: 100 days of unique creative outputs. It is a relentless process, one in which you work fast enough to…