MARINA ZURKOW
Items tagged
Oceans
[DEBUG] archive custom field: artwork
2017
Custom animated software, custom powder-coated steel boxes, hardware, plywood plinths
This work is part of the project:
Fidelity International corporate art collection purchased a complete set of the eight More&More (the invisible oceans) software sculptures.
2016
Custom commercial postcards, 4″ x 6″
This work is part of the project:
A selection of geographically distributed port nations were analyzed for their relative trade stronghold in particular materials and items. These were then converted into textile designs for new national identities based on the materials’ / items’ corresponding iconography.
This work is part of the project:
Surya Mattu, Sarah Rothberg, and I had a Process Space residency through LMCC on Governor’s Island. We spent a few months traveling by boat(s) to meet, study, and discuss logistics. We took Matthew Sparke’s free online class on Globalization and Personal Impacts, and read Deborah Cowan’s The Deadly Life of Logistics. We participated in Open…
A series of swimsuits that visualize the global circulation of stuff, shrinking the overwhelming system of complex trade relationships to a human scale.
2016
Chris Piuma and Marina Zurkow, editors
Contributors Stacy Alaimo, Heather Davis, Kathleen Forde, Dylan Gauthier, Elena Glasberg, Kalliopi Mathios, Steve Mentz, Astrida Neimanis, Chris Piuma, Elspeth Probyn, Sarah Rothberg, Phil Steinberg, Rita Wong, Marina Zurkow
Published by Punctum Books
To order a print copy or download the ebook:
https://punctumbooks.com/titles/moremore-a-guide-to-the-harmonized-system/
This work is part of the project:
This experimental “brick” of a book intervenes in the Harmonized Commodity Description and Coding System (also known as the HS Code). Tucked into the alphabetically sorted 26,000 lines of code are poetic, personal, and scholarly annotations that are focused on ocean-related entries.
2016
Custom animated software in custom powder-coated steel housing
Production: Sarah Rothberg<br>
Software: Sam Brenner
Commissioned in part by Borusan Contemporary
This work is part of the project:
Unifying the disparate commodities from large port nations into a phantasmagoric depot, MORE&MORE: China, India, Japan, Mexico, Turkey, USA, Russia, and Brazil are eight sculptural animations with custom algorithmic software generating hypnotic patterns of export products. These exports are both material trade items as noted in the Harmonized System (HS) tariff code and the nations’…
2016
More&More (The Invisible Oceans), is a catalog of the eponymous project’s first exhibition at bitforms gallery in New York, featuring full-color images of the art on display (including video stills, bespoke bathing suits, and fungal sculptures), as well as an introduction by Marina Zurkow and a conversation between Zurkow and international curator Kathleen Forde.
https://punctumbooks.com/titles/moremore-the-invisible-oceans/
This work is part of the project:
2016
Custom animated software in custom steel powder-coated housing, sculptures, shelving, crates, bathing suits, website, books
Production: Sarah Rothberg <br>
Bathing suit/web site collaborators: Sarah Rothberg, Surya Mattu <br>
Software: Sam Brenner | Web development: Neil Cline | Studio assistance: Ariana Martinez <br>
Bathing suit/web site collaborators: Sarah Rothberg, Surya Mattu <br>
Software: Sam Brenner | Web development: Neil Cline | Studio assistance: Ariana Martinez <br>
Commissioned in part by Borusan Contemporary
This work is part of the project:
The ocean makes up 71 percent of our planet’s surface. So, how is it that we know more about Mars than the marine environments of Earth? As impenetrable as the deep oceans are to humans, we imperviously live in a black box of international shipping, reducing the ocean to a surface rather than an environmental…
2019
Custom animation software, custom bathing suits, screens, shipping crates, plaster, 3D prints, mycelium, plexi shelving, custom wallpaper
In collaboration with Sarah Rothberg and Surya Mattu<br>
Software: Sam Brenner <br>
Web development: Neil Cline
Solo exhibition at Jugendstilsenteret og KUBE, Ålesund, Norway
This work is part of the project:
Part of the group exhibition, “Edge of the Sea”
2019
Custom bathing suits, custom wallpaper, custom postcards, custom website, laptop, desk, mannequins, postcard rack, salt
In collaboration with Sarah Rothberg and Surya Mattu<br>
Web development: Neil Cline
Group exhibition “Ici Sont Les Dragons” at Maison Populaire, Montreuil, France
https://www.maisonpop.fr/ici-sont-les-dragons-2-3-venez-comme-vous-etes
This work is part of the project:
2018
Food, performance, props, slide show
In collaboration with Hank and Bean
Supported by Laboratory for Environmental Narrative Strategies (LENS) at the Institute of the Environment and Sustainability (IoES), UCLA, led by Allison Carruth
This work is part of the project:
A dinner and movable feast exploring the edible desertification of the Los Angeles region, one whose contemporary culture still holds dear the sensibility of a Mediterranean diet.
2020
Food, ASMR, mixer and speakers, lighting, slide show
Led by Hank and Bean
Sound: Yotam Mann and Sarah Rothberg
Thanks to Sunview luncheonette and Dylan Gauthier
Presented at Sunview Luncheonette, Brooklyn, NY
This work is part of the project:
Soupy Salty Sonic, an edible exploration of fluid ocean spaces was a beta dinner and an aural/oral experiment, in conjunction with the exhibition “Wet Logic” at bitforms gallery.
A set of three software-driven animation works that explore the ocean and its inhabitants as a fractal and restless repository of reflections and projections. The series offers an ocean poetics to produce new affections for the ocean at large—a cosmopolitan sea inclusive of graceful, filthy, tangled, and fantastic realities and imaginary churns. Custom software allows for an infinite recombination of sound, textures and characters within this repeating structure.
2021
Custom software animation, screens, custom poplar wood pallets
Sound Design: Scott Reitherman. Software: Sam Brenner. Animation: Marina Zurkow and Ewan Creed. Technology: James Schmitz. Documentation: Jakob Dahlin
Curated by Kendal Henry
Commissioned by @artsbrookfield
This work is part of the project:
2021
Custom generative animation software, sound, screens, marine debris, wall drawings, custom wood scaffolds
Sound Design: Scott Reitherman. Software: Sam Brenner. Animation: Marina Zurkow and Ewan Creed. Technology: James Schmitz. Scaffold architecture: Keith Edwards. Documentation: Phillip Rittermann
Commissioned by the ICA San Diego
This work is part of the project:
Text by Guusje Sanders, curator: Aided by the constructed marine debris island, visitors can see, smell, touch, hear and taste their presence within the ocean. The installation invites participants to re-imagine their connections to the ocean and challenge their conditioned perspectives. By slowing down in a complex space of systems, an opportunity arises to assume…
2020
Custom software, wall drawings, silkscreen prints, toilet, recycled nurdles, fishbowl fountain
bitforms gallery (link)
This work is part of the project:
Wet Logic, a collaborative exhibition by Marina Zurkow and Sarah Rothberg, presents a model of the world organized according to a wet, oceanic ideology rather than a dry, land-based paradigm.
2019
Cannonball jellyfish, ice plant, kombu seaweed, condiments, laser-cut lettering, signage, tarp, stencil, plants
In collaboration with chef duo Hank and Bean
Commissioned by LENS (Laboratory for Environmental Narrative Strategy), IOES (Institute of Environment and Sustainability), UCLA
This work is part of the project:
A one-day pop up jellyfish jerky snack shack on the campus of UCLA. Serving Cannonball jellyfish jerky served with a choice of seasoning condiments reflective of 5 diverse regions susceptible to sea level rise: Haiti, the US Gulf coast, Sri Lanka/ S. India, Philippines, and the Netherlands. In addition, the snack shack served “invasive” ice…
2016
Custom Cannonball jellyfish soup powder, caramels, snack puffs
Food prototypes by chefs Ryan Pera (Coltivare), and Justin Yu and Ian Levy (Oxheart)
Supported by CENHS (the Center for Energy and Environmental Research in the Human Sciences) at Rice University
This work is part of the project:
Making the Best of It is the umbrella concept for a series of regional site-specific pop-up food shacks, installations, carts, tea houses, delivery drones, and designed community dinners that feature edible climate-change enabled, and often not normally eaten, indicator species as part of the menu.
2021
Marine debris, plastic bags, metal signs, CNC cut wood, mini-golf turf
In collaboration with Blake Goble, B-Space
Documentation: Jakob Dahlin
Commissioned by Putting Green, NY
https://dearclimate.net/installations/whale-fall-feast
This work is part of the project:
When a whale dies and sinks, its carcass creates an entire ecosystem on the ocean floor, nourishing thousands of organisms. Ocean pollution affects this process and disrupts the food chain, impacting species from krill to whales. Whales are some of the longest living mammals on the planet, with lifespans from 10 to 200 years. When…