MARINA ZURKOW
Items tagged
Oceans
2023
Custom software (color, silent)
Generative, non-interactive
93 editions, 6 artist editions, 1 publisher proof
In collaboration with Ira Greenberg
Oystercraft website design: Pat Shiu
Part of the exhibition “Chain Reaction” on Feral File, curated by Christiane Paul
Created for the online exhibition “Chain Reaction,” curated by Christiane Paul on the Feral File platform.
2021
Marine debris, plastic bags, metal signs, CNC cut wood, mini-golf turf
In collaboration with Blake Goble, B-Space
Documentation: Jakob Dahlin
Commissioned by Putting Green, NY
https://dearclimate.net/installations/whale-fall-feast
This work is part of the project:
When a whale dies and sinks, its carcass creates an entire ecosystem on the ocean floor, nourishing thousands of organisms. Ocean pollution affects this process and disrupts the food chain, impacting species from krill to whales. Whales are some of the longest living mammals on the planet, with lifespans from 10 to 200 years. When…
2022
Sound, 28 minutes
Written and Performed by Anna Rose Hopkins and Marina Zurkow
Editing, production, and sound design: Pejk Malinovski
Original sound contributions: Scott Reitherman
Additional vocal performances: Kenneth Bailey, Aaron Burns, Una Chaudhuri, El Glasberg, Aria Michener, Ava Michener, Justin Michener, Liam Michener
ASL interpretation: Darius Doe
Special thanks to Stacy Alaimo, Lindsey Allen, Imani Black, Elizabeth Bishop, Una Chaudhuri, Jon Cohrs, Becca Franks, Christopher Hibma, Henry Fischer, Miles Freeman, Dylan Gauthier, Jennifer Jacquet, Kwonyin, Steve Mentz, Katie Pearl, Jose Rosero, Carrie Roble, Lauren Ruffin, Abigail Simon, Nancy Sowinski, Suzanne Thorpe, and Paola Zanzo
Found sources: Gravity Music, Lao Tzu, Alphonso Lingis, Ennio Morricone, Lalo Schifrin, WeTM, Heathcote Williams
Originally commissioned by the FoodxFilm Festival and the Guild of Future Architects, in support of Good Food For All and the United Nations Food Systems Summit
This work is part of the project:
“A Liquid Wanting” is a 28 minute audio theater work exploring the lives of ocean beings and the ocean itself as a planetary force, prompting listeners to dissolve, mutate and transform as they are led through imagined embodiments—from human to sea cucumber to marine snow to whale.
2017
2 Nylon banners, 42” x 84” each
Permanently installed at The Center for Coastal Studies, Provincetown, Mass.
Right whale identification relies on the distinct pattern, known as a callosity, that each whale displays like a blazon on the back of their head. These are rough skin patches — callouses. Whalers called them “bonnets.” Each whale is born with their callous-formation, which grows pitted and grooved like volcanic terrain over time. Callosities would…
2021
3 minute video loop, sound
Sound by Scott Reitherman.
Animation assistance: Ewan Creed.
Commissioned by 150 Media Stream, Chicago IL.
https://150mediastream.com/archive/
This work is part of the project:
On view Oct 2021 – Jan 2022, OOzy #2: like oil and water was conformed for a 16K screen in the lobby of 150 Riverside, Chicago. OOzy #2: like oil and water brings into view a sensual—but harsh—mix of kelp, marine organisms, human aquanauts, mermaids, plastics, and oil, who cycle and snake through the 150…
2022
3 minute video loop, sound
Sound by Scott Reitherman
Animation assistance by Ewan Creed
Commissioned by Niio
This work is part of the project:
The ocean is not a body—and it is. Seeking its own level, it expands as much as it can. The ocean is a container. It is also a shipping superhighway; a resource for food and minerals; a space of mystery, adventure, fantasy, dream, and myth; a space to be mapped, measured, and known; and “Earth’s”…
2022
3 minute video loop, silent
Animation assistance: Ewan Creed
Commissioned by Niio
This work is part of the project:
6,000 meters below the ocean surface, a human would experience crushing pressure, freezing temperatures, and total darkness. But other beings thrive in the Abyssal Zone; at 300,000,000 square km, it is the largest environment for earth life. Coral reefs, squid, sea spiders thrive; many are transparent, luminescent, lit from within. Minerals ooze out of hydrothermal…
2021
Custom software animation, screens, custom poplar wood pallets
Sound Design: Scott Reitherman. Software: Sam Brenner. Animation: Marina Zurkow and Ewan Creed. Technology: James Schmitz. Documentation: Jakob Dahlin
Curated by Kendal Henry
Commissioned by @artsbrookfield
This work is part of the project:
2021
Custom generative animation software, sound, screens, marine debris, wall drawings, custom wood scaffolds
Sound Design: Scott Reitherman. Software: Sam Brenner. Animation: Marina Zurkow and Ewan Creed. Technology: James Schmitz. Scaffold architecture: Keith Edwards. Documentation: Phillip Rittermann
Commissioned by the ICA San Diego
This work is part of the project:
Text by Guusje Sanders, curator: Aided by the constructed marine debris island, visitors can see, smell, touch, hear and taste their presence within the ocean. The installation invites participants to re-imagine their connections to the ocean and challenge their conditioned perspectives. By slowing down in a complex space of systems, an opportunity arises to assume…
2020
Food, ASMR, mixer and speakers, lighting, slide show
Led by Hank and Bean
Sound: Yotam Mann and Sarah Rothberg
Thanks to Sunview luncheonette and Dylan Gauthier
Presented at Sunview Luncheonette, Brooklyn, NY
This work is part of the project:
Soupy Salty Sonic, an edible exploration of fluid ocean spaces was a beta dinner and an aural/oral experiment, in conjunction with the exhibition “Wet Logic” at bitforms gallery.
A set of three software-driven animation works that explore the ocean and its inhabitants as a fractal and restless repository of reflections and projections. The series offers an ocean poetics to produce new affections for the ocean at large—a cosmopolitan sea inclusive of graceful, filthy, tangled, and fantastic realities and imaginary churns. Custom software allows…
2020
Custom software, wall drawings, silkscreen prints, toilet, recycled nurdles, fishbowl fountain
bitforms gallery (link)
This work is part of the project:
Wet Logic, a collaborative exhibition by Marina Zurkow and Sarah Rothberg, presents a model of the world organized according to a wet, oceanic ideology rather than a dry, land-based paradigm.
2019
Custom animation software, custom bathing suits, screens, shipping crates, plaster, 3D prints, mycelium, plexi shelving, custom wallpaper
In collaboration with Sarah Rothberg and Surya Mattu<br>
Software: Sam Brenner <br>
Web development: Neil Cline
Solo exhibition at Jugendstilsenteret og KUBE, Ålesund, Norway
This work is part of the project:
Part of the group exhibition, “Edge of the Sea”
2019
Custom bathing suits, custom wallpaper, custom postcards, custom website, laptop, desk, mannequins, postcard rack, salt
In collaboration with Sarah Rothberg and Surya Mattu<br>
Web development: Neil Cline
Group exhibition “Ici Sont Les Dragons” at Maison Populaire, Montreuil, France
https://www.maisonpop.fr/ici-sont-les-dragons-2-3-venez-comme-vous-etes
This work is part of the project:
2019
Cannonball jellyfish, ice plant, kombu seaweed, condiments, laser-cut lettering, signage, tarp, stencil, plants
In collaboration with chef duo Hank and Bean
Commissioned by LENS (Laboratory for Environmental Narrative Strategy), IOES (Institute of Environment and Sustainability), UCLA
This work is part of the project:
A one-day pop up jellyfish jerky snack shack on the campus of UCLA. Serving Cannonball jellyfish jerky served with a choice of seasoning condiments reflective of 5 diverse regions susceptible to sea level rise: Haiti, the US Gulf coast, Sri Lanka/ S. India, Philippines, and the Netherlands. In addition, the snack shack served “invasive” ice…
2018
Food, performance, props, slide show
In collaboration with Hank and Bean
Supported by Laboratory for Environmental Narrative Strategies (LENS) at the Institute of the Environment and Sustainability (IoES), UCLA, led by Allison Carruth
This work is part of the project:
A dinner and movable feast exploring the edible desertification of the Los Angeles region, one whose contemporary culture still holds dear the sensibility of a Mediterranean diet.
In 2017 I audited a class at ITP (the Interactive Telecommunications Program), Tisch School of the Arts, NYU called “100 Days of Making” led by Katherine Dillon. The class is structured just as the title proclaims: 100 days of unique creative outputs. It is a relentless process, one in which you work fast enough to…
A series of swimsuits that visualize the global circulation of stuff, shrinking the overwhelming system of complex trade relationships to a human scale.
2016
Chris Piuma and Marina Zurkow, editors
Contributors Stacy Alaimo, Heather Davis, Kathleen Forde, Dylan Gauthier, Elena Glasberg, Kalliopi Mathios, Steve Mentz, Astrida Neimanis, Chris Piuma, Elspeth Probyn, Sarah Rothberg, Phil Steinberg, Rita Wong, Marina Zurkow
Published by Punctum Books
To order a print copy or download the ebook:
https://punctumbooks.com/titles/moremore-a-guide-to-the-harmonized-system/
This work is part of the project:
This experimental “brick” of a book intervenes in the Harmonized Commodity Description and Coding System (also known as the HS Code). Tucked into the alphabetically sorted 26,000 lines of code are poetic, personal, and scholarly annotations that are focused on ocean-related entries.