MARINA ZURKOW
Items tagged
Installation
[DEBUG] archive custom field: artwork
This work is part of the project:
Surya Mattu, Sarah Rothberg, and I had a Process Space residency through LMCC on Governor’s Island. We spent a few months traveling by boat(s) to meet, study, and discuss logistics. We took Matthew Sparke’s free online class on Globalization and Personal Impacts, and read Deborah Cowan’s The Deadly Life of Logistics. We participated in Open…
2016
Custom animated software in custom steel powder-coated housing, sculptures, shelving, crates, bathing suits, website, books
Production: Sarah Rothberg <br>
Bathing suit/web site collaborators: Sarah Rothberg, Surya Mattu <br>
Software: Sam Brenner | Web development: Neil Cline | Studio assistance: Ariana Martinez <br>
Bathing suit/web site collaborators: Sarah Rothberg, Surya Mattu <br>
Software: Sam Brenner | Web development: Neil Cline | Studio assistance: Ariana Martinez <br>
Commissioned in part by Borusan Contemporary
This work is part of the project:
The ocean makes up 71 percent of our planet’s surface. So, how is it that we know more about Mars than the marine environments of Earth? As impenetrable as the deep oceans are to humans, we imperviously live in a black box of international shipping, reducing the ocean to a surface rather than an environmental…
2019
Custom animation software, custom bathing suits, screens, shipping crates, plaster, 3D prints, mycelium, plexi shelving, custom wallpaper
In collaboration with Sarah Rothberg and Surya Mattu<br>
Software: Sam Brenner <br>
Web development: Neil Cline
Solo exhibition at Jugendstilsenteret og KUBE, Ålesund, Norway
This work is part of the project:
Part of the group exhibition, “Edge of the Sea”
2019
Custom bathing suits, custom wallpaper, custom postcards, custom website, laptop, desk, mannequins, postcard rack, salt
In collaboration with Sarah Rothberg and Surya Mattu<br>
Web development: Neil Cline
Group exhibition “Ici Sont Les Dragons” at Maison Populaire, Montreuil, France
https://www.maisonpop.fr/ici-sont-les-dragons-2-3-venez-comme-vous-etes
This work is part of the project:
2021
Custom software animation, screens, custom poplar wood pallets
Sound Design: Scott Reitherman. Software: Sam Brenner. Animation: Marina Zurkow and Ewan Creed. Technology: James Schmitz. Documentation: Jakob Dahlin
Curated by Kendal Henry
Commissioned by @artsbrookfield
This work is part of the project:
2021
Custom generative animation software, sound, screens, marine debris, wall drawings, custom wood scaffolds
Sound Design: Scott Reitherman. Software: Sam Brenner. Animation: Marina Zurkow and Ewan Creed. Technology: James Schmitz. Scaffold architecture: Keith Edwards. Documentation: Phillip Rittermann
Commissioned by the ICA San Diego
This work is part of the project:
Text by Guusje Sanders, curator: Aided by the constructed marine debris island, visitors can see, smell, touch, hear and taste their presence within the ocean. The installation invites participants to re-imagine their connections to the ocean and challenge their conditioned perspectives. By slowing down in a complex space of systems, an opportunity arises to assume…
2020
Custom software, wall drawings, silkscreen prints, toilet, recycled nurdles, fishbowl fountain
bitforms gallery (link)
This work is part of the project:
Wet Logic, a collaborative exhibition by Marina Zurkow and Sarah Rothberg, presents a model of the world organized according to a wet, oceanic ideology rather than a dry, land-based paradigm.
2022
Digital prints, generative software works
Software works in collaboration with James Schmitz
Exhibited at bitforms gallery, New York
bitforms gallery (link)
World Wind is an exhibition featuring artworks by Marina Zurkow and collaborative, generative pieces by Zurkow and James Schmitz.
2018
Flags, cedar posts
Core Collaborators: Una Chaudhuri, Fritz Ertl, Oliver Kellhammer, Marina Zurkow
Curated by Nora Lawrence
Documentation: Jerry L. Thompson
Commissioned by Storm King Arts Center, New Windsor, New York
For the “Indicators: Artists on Climate Change” exhibition at Storm King
https://dearclimate.net/installations/general-assembly
This work is part of the project:
We want to create a public space that signals—and celebrates—a future world of multi-species collaboration. At the UN General Assembly, there’s a seat for every nation. In our General Assembly of the future, there’ll be a seat at the table for all species and all things.
2019
Cannonball jellyfish, ice plant, kombu seaweed, condiments, laser-cut lettering, signage, tarp, stencil, plants
In collaboration with chef duo Hank and Bean
Commissioned by LENS (Laboratory for Environmental Narrative Strategy), IOES (Institute of Environment and Sustainability), UCLA
This work is part of the project:
A one-day pop up jellyfish jerky snack shack on the campus of UCLA. Serving Cannonball jellyfish jerky served with a choice of seasoning condiments reflective of 5 diverse regions susceptible to sea level rise: Haiti, the US Gulf coast, Sri Lanka/ S. India, Philippines, and the Netherlands. In addition, the snack shack served “invasive” ice…
2019
Locust and red oak wood, vinyl plaques, lettering
Dear Climate Collective, in collaboration with Jennie Carlisle, Curator and Director of the Smith Gallery, Appalachian State
Fabrication: Roger Atkins of Cove Creek Woodworks
Fresh cut locust and red oak wood donated by Ian Snider of Mountain Works Sustainable Development
Documentation: Cheryl Zibisky
Commissioned by Climate Stories Collaborative at Appalachian State
This work is part of the project:
“What do I need to know for the planet to thrive?” This question animates “Signs, Wonders, Blunders,” an installation of 13 signposts, each with three multi-directional signs, located at interesting and suggestive locations on campus. The signposts use book titles and common phrases to create a set of playful proposals for new ways of understanding knowledge production and reception. Many of the book titles are drawn from some of the most influential works of contemporary ecological thought, by thinkers like Donna Haraway, Timothy Morton, Eduardo Kohn, Amitav Ghosh, and Jane Bennet. Others invoke concepts or topics closely associated with climate literacy and advocacy. Yet others allude to contemporary popular culture.
2021
Marine debris, plastic bags, metal signs, CNC cut wood, mini-golf turf
In collaboration with Blake Goble, B-Space
Documentation: Jakob Dahlin
Commissioned by Putting Green, NY
https://dearclimate.net/installations/whale-fall-feast
This work is part of the project:
When a whale dies and sinks, its carcass creates an entire ecosystem on the ocean floor, nourishing thousands of organisms. Ocean pollution affects this process and disrupts the food chain, impacting species from krill to whales. Whales are some of the longest living mammals on the planet, with lifespans from 10 to 200 years. When…
2020
Site-specific video installation (52 screens) at the Fulton Transit Center, New York
Created in collaboration with Sarah Rothberg
Commissioned by MTA Arts & Design.
Sarah Rothberg and Marina Zurkow’s video project “WHAT IS HAPPENING” at Fulton Center combines site-specific drawings of the transit hub’s architectural elements with text and animated collage. Philosophical queries like “WHAT IS POSSIBLE” or “WHAT IS MOVING” prompt the minds of viewers passing through. These provocations are met with clever visual juxtapositions, such as a doughnut rising…
2014 – ongoing
posters, sound, installations
Core Collaborators: Una Chaudhuri, Fritz Ertl, Oliver Kellhammer, Marina Zurkow
Web Development: Pat Shiu
Sound Design: Pejk Malinovski
Typography: Nancy Nowacek
Voice Overs: Eliza Foss, Seth Kanor, Jane Cramer
Supported by NYU Visual Arts Initiative Awards
http://www.dearclimate.net
This work is part of the project:
Dear Climate is exploring new modes of address through the creation of a collection of ”inner climate” tools. These tools—posters, audio meditations and letters—are designed to nudge participants toward new relations with the greater-than-human world. The free, downloadable posters use the language of agitprop and a “fast read” to create a jolt of relational suggestion. Alternately,…